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The Hip Hop Generation: Young Blacks and the Crisis in African American Culture
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Hardcover
Book cover for 9780465029785
 
The price comparison is for this edition
1 edition from Perseus Books (April 1, 2002)
9780465029785 | details & prices | 230 pages | 6.00 × 8.50 × 0.75 in. | 0.85 lbs | List price $24.00
About: Offers a look at the first post-segregation African American generation and discusses the views and attitudes of the 'hip-hop generationers,' black Americans born between 1965 and 1984.
Paperback
Book cover for 9780465029792
 
Reprint edition from Basic Civitas Books (April 23, 2003)
9780465029792 | details & prices | 5.25 × 7.75 × 0.75 in. | 0.60 lbs | List price $15.99
About: Discusses a generation of African Americans born between 1965 and 1984, and considers its historical significance, disproportionate incarceration and unemployment rates, collapse of gender relations, and experience revealed by music.
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Publisher Perseus Books
Publication date April 1, 2002
Pages 230
Binding Hardcover
Edition 1
Book category Adult Non-Fiction
ISBN-13 9780465029785
ISBN-10 0465029787
Dimensions 0.75 by 6 by 8.50 in.
Weight 0.85 lbs.
Availability§ Out of Print
Original list price $24.00
Amazon.com says people who bought this book also bought:
Hip Hop Matters | Why White Kids Love Hip-Hop | The Big Payback | Hip Hop America | Hip Hop America
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Summary
A critical examination of the generation of black Americans born between 1965 and 1984 considers its historical significance, disproportionate incarceration and unemployment rates, collapse of gender relations, and experience as revealed by its music. 25,000 first printing. (view table of contents)
Amazon.com description: Amazon.com Review: Bakari Kitwana, a former editor at The Source, identifies blacks born between 1965 and 1984 as belonging to the "hip-hop generation" a term he uses interchangeably with black youth culture ("Generation X" applies mainly to whites, he says). He calls hip-hop "arguably the single most significant achievement of our generation," yet blames it for causing much damage to black youth by perpetuating negative stereotypes and providing poor role models. But this book is about much more than just rap music; it takes a broad look at the state of post-civil-rights black America and the crises that have come about in the past three decades, including high rates of homicide, suicide, and imprisonment and a rise in single-parent homes, police brutality, unemployment, and blacks' use of popular culture (through pop music and movies) to celebrate "anti-intellectualism, ignorance, irresponsible parenthood, and criminal lifestyles." Serious problems indeed, but Kitwana acknowledges that members of this generation have more opportunities than their parents had, and he believes there is still time to make positive and lasting changes.

He looks closely at this generation's worldview, politics, activism, and its high profile in the entertainment world, which has made it "central in American culture, transcending geographic, social, and economic boundaries." Emphasizing that "rap music's ability to influence social change should not be taken lightly," he calls for a more responsible and constructive use of this unprecedented power. Kitwana is concerned about the legacy of his generation, and he wants his book to "jump-start the dialogue necessary to change our current course." The Hip Hop Generation deserves to be read both for its aim and its execution. --Shawn Carkonen

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