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Norman Rockwell: A Life
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Bibliographic Detail
Publisher Modern Library
Publication date March 1, 2003
Binding Paperback
Edition Reprint
Book category Adult Non-Fiction
ISBN-13 9780812967234
ISBN-10 0812967232
Dimensions 1.25 by 5.25 by 8 in.
Original list price $16.95
Summaries and Reviews
Summary
The first comprehensive biography of the nation's most popular twentieth-century artist offers a complex, compelling portrait of the artist and argues that his work is far more interesting and manipulative than critics have credited him for. Reprint. 20,000 first printing.
Amazon.com description: Product Description: Norman Rockwell’s hundreds of memorable covers for The Saturday Evening Post made him a twentieth-century American icon. However, because of the very popularity of his idealized depictions of middle-class life, his more serious paintings have been largely ignored, and he has often been deemed a mere illustrator, not a “real” artist.

In this, the first comprehensive biography of America’s most popular artist, Laura Claridge breaks new ground with her appreciative but clear-eyed view of Rockwell’s work—and his life. Based upon previously unpublished family archives and hundreds of interviews, this account reveals for the first time the deep disparity between the artist’s public image and his private life.

Editions
Hardcover
Book cover for 9780375504532
 
from Random House Inc (October 1, 2001)
9780375504532 | details & prices | 546 pages | 6.50 × 9.75 × 3.00 in. | 2.20 lbs | List price $35.00
About: A biography of the popular artist traces his life and argues that his work is far more interesting and manipulative than critics have credited him for.
Paperback
Book cover for 9780812967234
 
The price comparison is for this edition
Reprint edition from Modern Library (March 1, 2003)
9780812967234 | details & prices | 5.25 × 8.00 × 1.25 in. | 0.95 lbs | List price $16.95
About: The first comprehensive biography of the nation's most popular twentieth-century artist offers a complex, compelling portrait of the artist and argues that his work is far more interesting and manipulative than critics have credited him for.

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