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Musicophilia: Tales of Music and the Brain
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Hardcover
Book cover for 9781400040810
 
The price comparison is for this edition
1 edition from Alfred a Knopf Inc (October 16, 2007)
9781400040810 | details & prices | 381 pages | 6.00 × 8.50 × 1.25 in. | 1.30 lbs | List price $26.00
About: Drawing on the individual experiences of patients, musicians, composers, and ordinary people, the author explores the complex human response to music, and how music can affect those suffering from a variety of ailments.
Paperback
Book cover for 9780676979794
 
With Oliver W. Sacks | Rev exp edition from Vintage (September 23, 2008)
9780676979794 | details & prices | 425 pages | 5.00 × 7.75 × 1.00 in. | 1.05 lbs | List price $19.95
This edition also contains Musicophilia: Tales of Music and the Brain, Musicophilia: Tales of Music and the Brain
About: What goes on in human beings when they make or listen to music?
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Publisher Alfred a Knopf Inc
Publication date October 16, 2007
Pages 381
Binding Hardcover
Edition 1
Book category Adult Non-Fiction
ISBN-13 9781400040810
ISBN-10 1400040817
Dimensions 1.25 by 6 by 8.50 in.
Weight 1.30 lbs.
Original list price $26.00
Summary
Drawing on the individual experiences of patients, musicians, composers, and everyday people, the author of Awakenings explores the complex human response to music, detailing the full range of human reactions to music, what goes on and can go wrong when we listen to music, and how music can affect those suffering from a variety of ailments. 100,000 first printing.
Amazon.com description: Product Description: Music can move us to the heights or depths of emotion. It can persuade us to buy something, or remind us of our first date. It can lift us out of depression when nothing else can. It can get us dancing to its beat.  But the power of music goes much, much further. Indeed, music occupies more areas of our brain than language does—humans are a musical species.

Oliver Sacks’s compassionate, compelling tales of people struggling to adapt to different neurological conditions have fundamentally changed the way we think of our own brains, and of the human experience. In Musicophilia, he examines the powers of music through the individual experiences of patients, musicians, and everyday people—from a man who is struck by lightning and suddenly inspired to become a pianist at the age of forty-two, to an entire group of children with Williams syndrome, who are hypermusical from birth; from people with “amusia,” to whom a symphony sounds like the clattering of pots and pans, to a man whose memory spans only seven seconds—for everything but music.

Our exquisite sensitivity to music can sometimes go wrong: Sacks explores how catchy tunes can subject us to hours of mental replay, and how a surprising number of people acquire nonstop musical hallucinations that assault them night and day. Yet far more frequently, music goes right: Sacks describes how music can animate people with Parkinson’s disease who cannot otherwise move, give words to stroke patients who cannot otherwise speak, and calm and organize people whose memories are ravaged by Alzheimer’s or amnesia.

Music is irresistible, haunting, and unforgettable, and in Musicophilia, Oliver Sacks tells us why.

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