Product Description: In June 1908, a red-haired orphan appeared on to the streets of Boston and a modern legend was born. That little girl was Anne Shirley, better known as Anne of Green Gables, and her first appearance was in a book that has sold more than 50 million copies worldwide and been translated into more than 35 languages (including Braille)...read more

Product Description: In 1949, Ettie Stettheimer collected her sister Florine’s poems in Crystal Flowers, a posthumous, privately printed, elegant edition of 250. In addition to these rare poems, this new volume offers formerly unpublished material culled from archives, including three new poems and Stettheimer’s libretto for her ballet “Orphée of the Quat-z-arts...read more

Product Description: Who ultimately is L.M. Montgomery, and why was there such an obsession with secrecy, hiding, and encoding in her life and fiction? Delving into the hidden life of Canada's most enigmatic writer, The Intimate Life of L.M. Montgomery answers these questions...read more

Elsa von Freytag-Loringhoven (1874?1927) is considered by many to be the first American dadaist as well as the mother of dada. An innovator in poetic form and an early creator of junk sculpture, "the Baroness" was best known for her sexually charged, often controversial performances. Some thought her merely crazed, others thought her a genius. The editor Margaret Anderson called her "perhaps the only figure of our generation who deserves the epithet extraordinary." Yet despite her great notoriety and influence, until recently her story and work have been little known outside the circle of modernist scholars.In Baroness Elsa, Irene Gammel traces the extraordinary life and work of this daring woman, viewing her in the context of female dada and the historical battles fought by women in the early twentieth century. Striding through the streets of Berlin, Munich, New York, and Paris wearing such adornments as a tomato-soup can bra, teaspoon earrings, and black lipstick, the Baroness erased the boundaries between life and art, between the everyday and the outrageous, between the creative and the dangerous. Her art objects were precursors to dada objects of the teens and twenties, her sound and visual poetry were far more daring than those of the male modernists of her time, and her performances prefigured feminist body art and performance art by nearly half a century.

Product Description: Since the publication of Anne of Green Gables in 1908, L.M. Montgomery and the world of Anne have propelled themselves into a global cultural phenomenon, popular not only in Canada, but in places as diverse as Japan, the United States, and Iran...read more

Product Description: Since the publication of Anne of Green Gables in 1908, L.M. Montgomery and the world of Anne have propelled themselves into a global cultural phenomenon, popular not only in Canada, but in places as diverse as Japan, the United States, and Iran...read more

Product Description: The premise of Confessional Politics is that in this confessional age, "telling all is in." From a unique variety of perspectives and angles, the essays in this collection explore the association of confession with femininity; they examine its function as a gender-specific discourse as they probe its many feminized genres and subgenres...read more

Product Description: Despite the enormous popularity of her books, particularly Anne of Green Gables, L.M. Montgomery's role in the development of Canada's national culture is not often discussed by literary historians. This is curious as some of Canada's leading writers, including Margaret Atwood, Alice Munro, and Jane Urquhart, have acknowledged their indebtedness to Montgomery's fiction...read more (view table of contents, read Amazon.com's description)

Product Description: This book sheds light on the function of female sexuality in a predominantly male genre: naturalist fiction. Gammel reveals that naturalism is frequently implicated in the very power structures it critiques. Reading European & North American naturalism through the lens of feminist & Foucaultian theories of power, Gammel argues that twentieth century naturalism increasingly deconstructs itself in its depiction of sexuality, inevitably exposing the genre's internal ideological contradictions...read more