Uncle Tom's Cabin; or, Life Among the Lowly, is an anti-slavery novel by American author Harriet Beecher Stowe. Published in 1852, the novel "helped lay the groundwork for the Civil War", according to Will Kaufman. Selling more than 300,000 copies the first year it was published, Stowe's powerful abolitionist novel fueled the fire of the human rights debate in 1852. Denouncing the institution of slavery in dramatic terms, the incendiary novel quickly draws the reader into the world of slaves and their masters. Stowe's characters are powerfully and humanly realized in Uncle Tom, a majestic and heroic slave whose faith and dignity are never corrupted; Eliza and her husband, George, who elude slave catchers and eventually flee a country that condones slavery; Simon Legree, a brutal plantation owner; Little Eva, who suffers emotionally and physically from the suffering of slaves; and fun-loving Topsy, Eva's slave playmate. Critics, scholars, and students are today revisiting this monumental work with a new objectivity, focusing on Stowe's compelling portrayal of women and the novel's theological underpinnings. Stowe, a Connecticut-born teacher at the Hartford Female Seminary and an active abolitionist, featured the character of Uncle Tom, a long-suffering black slave around whom the stories of other characters revolve. The sentimental novel depicts the reality of slavery while also asserting that Christian love can overcome something as destructive as enslavement of fellow human beings. Uncle Tom's Cabin was the best-selling novel of the 19th century and the second best-selling book of that century, following the Bible.It is credited with helping fuel the abolitionist cause in the 1850s. In the first year after it was published, 300,000 copies of the book were sold in the United States; one million copies in Great Britain In 1855, three years after it was published, it was called "the most popular novel of our day." The impact attributed to the book is great, reinforced by a story that when Abraham Lincoln met Stowe at the start of the Civil War, Lincoln declared, "So this is the little lady who started this great war." The quote is apocryphal; it did not appear in print until 1896, and it has been argued that "The long-term durability of Lincoln's greeting as an anecdote in literary studies and Stowe scholarship can perhaps be explained in part by the desire among many contemporary intellectuals ... to affirm the role of literature as an agent of social change."

Uncle Tom's Cabin; or, Life Among the Lowly, is an anti-slavery novel by American author Harriet Beecher Stowe. Published in 1852, the novel "helped lay the groundwork for the Civil War", according to Will Kaufman. Selling more than 300,000 copies the first year it was published, Stowe's powerful abolitionist novel fueled the fire of the human rights debate in 1852. Denouncing the institution of slavery in dramatic terms, the incendiary novel quickly draws the reader into the world of slaves and their masters. Stowe's characters are powerfully and humanly realized in Uncle Tom, a majestic and heroic slave whose faith and dignity are never corrupted; Eliza and her husband, George, who elude slave catchers and eventually flee a country that condones slavery; Simon Legree, a brutal plantation owner; Little Eva, who suffers emotionally and physically from the suffering of slaves; and fun-loving Topsy, Eva's slave playmate. Critics, scholars, and students are today revisiting this monumental work with a new objectivity, focusing on Stowe's compelling portrayal of women and the novel's theological underpinnings. Stowe, a Connecticut-born teacher at the Hartford Female Seminary and an active abolitionist, featured the character of Uncle Tom, a long-suffering black slave around whom the stories of other characters revolve. The sentimental novel depicts the reality of slavery while also asserting that Christian love can overcome something as destructive as enslavement of fellow human beings. Uncle Tom's Cabin was the best-selling novel of the 19th century and the second best-selling book of that century, following the Bible.It is credited with helping fuel the abolitionist cause in the 1850s. In the first year after it was published, 300,000 copies of the book were sold in the United States; one million copies in Great Britain In 1855, three years after it was published, it was called "the most popular novel of our day." The impact attributed to the book is great, reinforced by a story that when Abraham Lincoln met Stowe at the start of the Civil War, Lincoln declared, "So this is the little lady who started this great war." The quote is apocryphal; it did not appear in print until 1896, and it has been argued that "The long-term durability of Lincoln's greeting as an anecdote in literary studies and Stowe scholarship can perhaps be explained in part by the desire among many contemporary intellectuals ... to affirm the role of literature as an agent of social change."

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Late in the afternoon of a chilly day in February, two gentlemen were sitting alone over their wine, in a well-furnished dining parlor, in the town of P——, in Kentucky. There were no servants present, and the gentlemen, with chairs closely approaching, seemed to be discussing some subject with great earnestness. For convenience sake, we have said, hitherto, two gentlemen. One of the parties, however, when critically examined, did not seem, strictly speaking, to come under the species. He was a short, thick-set man, with coarse, commonplace features, and that swaggering air of pretension which marks a low man who is trying to elbow his way upward in the world. He was much over-dressed, in a gaudy vest of many colors, a blue neckerchief, bedropped gayly with yellow spots, and arranged with a flaunting tie, quite in keeping with the general air of the man. His hands, large and coarse, were plentifully bedecked with rings; and he wore a heavy gold watch-chain, with a bundle of seals of portentous size, and a great variety of colors, attached to it,—which, in the ardor of conversation, he was in the habit of flourishing and jingling with evident satisfaction. His conversation was in free and easy defiance of Murray's Grammar,* and was garnished at convenient intervals with various profane expressions, which not even the desire to be graphic in our account shall induce us to transcribe. * English Grammar (1795), by Lindley Murray (1745-1826), the most authoritative American grammarian of his day. His companion, Mr. Shelby, had the appearance of a gentleman; and the arrangements of the house, and the general air of the housekeeping, indicated easy, and even opulent circumstances. As we before stated, the two were in the midst of an earnest conversation. "That is the way I should arrange the matter," said Mr. Shelby. "I can't make trade that way—I positively can't, Mr. Shelby," said the other, holding up a glass of wine between his eye and the light. "Why, the fact is, Haley, Tom is an uncommon fellow; he is certainly worth that sum anywhere,—steady, honest, capable, manages my whole farm like a clock." "You mean honest, as niggers go," said Haley, helping himself to a glass of brandy.

A new enchanting historical romance from a “superb storyteller” (Booklist) and New York Times bestselling author featuring a handsome, brooding Earl who finds himself drawn to his prim and proper housekeeper.Hell hath no fury like a bridegroom scorned in this scintillating romantic adventure from New York Times and USA Today bestselling author TERESA MEDEIROS Maximillian Burke prides himself on being the man every mother wants her daughter to marry, but after his scoundrel brother steals his bride, Max decides there’s more satisfaction in being a rogue than a gentleman. He flees London for lonely Cadgwyck Manor, and though the tumbledown estate comes complete with a ghost, it’s Max’s no-nonsense housekeeper who haunts his dreams. Prim and proper Anne Spencer could do without a new master, especially one as gorgeous and temperamental as the Earl of Dravenwood. Even as she schemes to be rid of him, she is irresistibly drawn into his muscular embrace. But when Max vows to solve the mystery of the White Lady of Cadgwyck, he risks both their hearts and tempts them to surrender to a pleasure as delicious as it is dangerous.

The first full-fledged application of the sacrificial model to fiction from the Middle Ages to the modern era. Cesareo Bandera contends that we badly misjudge our own historical situation if we believe that the sacred is something that can be left behind or ignored as utterly irrelevant. The Sacred Game argues that the sacred is all around us and its most characteristic manifestation is precisely the 'allergic' reaction and subsequent barrier it produces in our 'secular' sensitivity as soon as we come in contact with it. The Sacred Game examines the transition from the Middle Ages to the modern era from a Girardian perspective. It brings light to the weakening of the traditional association of literature with the sacred and its far-reaching consequences, and it studies the logic that governs the emergence of the most characteristic forms of modern fiction, the modern novel and the modern theater. Bandera emphasizes the unprecedented character of what happened to literary fiction during this transition. While the historical facts of the period are well known, Bandera presents them in a new light. The result is a new theory of literary fiction that challenges certain well-established approaches, in particular the nineteenth-century liberal romantic and Marxist approaches.

Product Description: Carel de Haseth’s novella Slave and Master (Katibu di Shon), written in the Creole language Papiamentu, dramatizes the August 17, 1795 slave revolt on the Dutch Caribbean island of Curaçao. The story is told through an alternating series of dramatic monologues by two key characters: Luis, a slave, and a leader of the revolt; and Shon Welmu, his childhood friend and white heir to the slave plantation...read more

She gave him her innocence .…Lady Aline Marsden was brought up to marry a man of her own class, but from the moment she meets John McKenna, she risks everything to be with him.He gave her his heartAlthough their love is forbidden, McKenna's passion for the beautiful Aline is too compelling to deny.When their secret is discovered, their world is shattered. McKenna is forced to leave forever, unaware that the only reason Aline has given him up is to save him.Now McKenna has returned, a powerful man determined to take revenge against the woman who broke his heart. But the magic between them burns as fiercely as ever…and as McKenna uncovers Aline's deepest secret, together they discover a love that will defy Fate itself.

Product Description: Carel de Haseth’s novella Slave and Master (Katibu di Shon), written in the Creole language Papiamentu, dramatizes the August 17, 1795 slave revolt on the Dutch Caribbean island of Curaçao. The story is told through an alternating series of dramatic monologues by two key characters: Luis, a slave, and a leader of the revolt; and Shon Welmu, his childhood friend and white heir to the slave plantation...read more

Product Description: “This is a story intimately and compassionately toldagainst the sensuous background of everyday life in Bombay.” —Washington Post Book World  “Bracingly honest.” —New York Times Book Review

Vivant Denon was a youthful courtier at Versailles; he lived through the French Revolution, and galloped across Egypt with Bonaparte. He knew everyone - Marie Antoinette, Voltaire, Robespierre, Catherine the Great, and the artists, Boucher and David. He found world fame without seeking it, risking his life and happiness in an endless quest.

Product Description: An absorbing, beautifully told story of wealth, family ties, and class conflict during the 19th century.

The first full-fledged application of the sacrificial model to fiction from the Middle Ages to the modern era. Cesareo Bandera contends that we badly misjudge our own historical situation if we believe that the sacred is something that can be left behind or ignored as utterly irrelevant. The Sacred Game argues that the sacred is all around us and its most characteristic manifestation is precisely the 'allergic' reaction and subsequent barrier it produces in our 'secular' sensitivity as soon as we come in contact with it. The Sacred Game examines the transition from the Middle Ages to the modern era from a Girardian perspective. It brings light to the weakening of the traditional association of literature with the sacred and its far-reaching consequences, and it studies the logic that governs the emergence of the most characteristic forms of modern fiction, the modern novel and the modern theater. Bandera emphasizes the unprecedented character of what happened to literary fiction during this transition. While the historical facts of the period are well known, Bandera presents them in a new light. The result is a new theory of literary fiction that challenges certain well-established approaches, in particular the nineteenth-century liberal romantic and Marxist approaches.

Pamela - Virtue Rewarded By Samuel Richardson. Complete Un-Edited Edition. Once Banned Books. Samuel Richardson, the first, in order of time, of the great English novelists, was born in 1689 and died at London in 1761. He was a printer by trade, and rose to be master of the Stationers' Company. That he also became a novelist was due to his skill as a letter-writer, which brought him, in his fiftieth year, a commission to write a volume of model "familiar letters" as an aid to persons too illiterate to compose their own. The notion of connecting these letters by a story which had interested him suggested the plot of "Pamela" and determined its epistolary form—a form which was retained in his later works. This novel (published 1740) created an epoch in the history of English fiction, and, with its successors, exerted a wide influence upon Continental literature. It is appropriately included in a series which is designed to form a group of studies of English life by the masters of English fiction. For it marked the transition from the novel of adventure to the novel of character—from the narration of entertaining events to the study of men and of manners, of motives and of sentiments. In it the romantic interest of the story (which is of the slightest) is subordinated to the moral interest in the conduct of its characters in the various situations in which they are placed. Upon this aspect of the "drama of human life" Richardson cast a most observant, if not always a penetrating glance. His works are an almost microscopically detailed picture of English domestic life in the early part of the eighteenth century. Pamela, or Virtue Rewarded is an epistolary novel by Samuel Richardson, first published in 1740. It tells the story of a beautiful 15-year old maidservant named Pamela Andrews, whose country landowner master, Mr. B, makes unwanted advances towards her after the death of his mother, whose maid Pamela had been since age 12. Mr. B is infatuated with her, first by her looks and then her innocence and intelligence, but his high rank hinders him from proposing marriage. He abducts her, locks her up in one of his estates, and attempts to seduce and rape her. She rejects him continually, but starts to realise that she is falling in love with him. He intercepts her letters to her parents; reading them, he becomes even more enamored by her innocence, intelligence, and continuous escape attempts. Her virtue is eventually rewarded when he sincerely proposes an equitable marriage to her. In the novel's second part, Pamela attempts to build a successful relationship with him and to acclimatise to upper class society. The story, a best-seller of its time, was very widely read but criticised for its perceived licentiousness.