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Tables of Contents for Guaman Poma
Chapter/Section Title
Page #
Page Count
Acknowledgments
x
 
Introduction to the Second Edition: Contextualizing the Nueva coronica y buen gobierno
xi
 
Guaman Poma in the Documentary Record
xi
 
The Production and Facsimile Reproduction of the Autograph Manuscript
xiii
 
Recent Advances in the Study of Guaman Poma's Visual and Verbal Art
xviii
 
Guaman Poma in the 1590s
xxii
 
The Expediente Prado Tello
xxii
 
Guaman Poma in the Expediente Prado Tello
xxvi
 
Guaman Poma versus Don Domingo Jauli and the Chachapoyas
xxix
 
The Conclusion of the Land-Title Litigation
xxxii
 
Guaman Poma in 1600: The Sentence of Exile from Huamanga
xxxvi
 
Chupas and the Chachapoyas in the Nueva coronica y buen gobierno
xxxviii
 
Mestizaje in the Nueva coronica y buen gobierno
xli
 
Guaman Poma's Biography Reconsidered
xlii
 
Writing and Religion: The Visita Report
li
 
An Anticipated Glimpse into the Artist's Studio
liv
 
Introduction
3
1
History Writing and Polemic
4
6
Challenging the Canon
10
3
Contradicting the Chronicles of Conquest
13
23
Guaman Poma's Exploitation of Written Histories
13
5
Respect for History
18
3
The Dominican Philosophy of Conquest
21
6
The Dramatization of a Hypothesis
27
5
The Present Overwhelms the Past
32
4
Searching for a Heroic Conception
36
21
Historical Truth and Moral Vision
36
4
Biographies of Incas and Kings
40
8
The Prologue Always Comes Last
48
3
The Nueva Coronica as Epic Story
51
6
From Story to Sermon
57
23
Granadine Strategies
58
4
On Moving the Reader's Affections
62
3
The Literature of Conversion
65
3
A Theory of Cross-Cultural Communication
68
3
The Privileged Role of Invention
71
1
The Simile of Lucifer
72
2
The Voice and Character of the Preacher
74
3
The Sermon Overtakes the Story
77
3
Icons in Space: The Silent Orator
80
41
Baroque Sensibilities
81
2
Visual Representation and Suppression
83
6
The Symbolic Values of Pictorial Space
89
10
Lines of Authority and Hierarchy
99
7
Disorder on the Horizontal Axis
106
8
Paradigms Lost: The Reversed Diagonal and the Empty Center
114
7
Mediating among Many Worlds
121
24
Allegory, Satire, and the Sermon
122
8
Of Caciques and Coyas
130
2
Inside the Coya's Chamber
132
3
The Present in the Past
135
4
The Author as Hero
139
1
Guaman Poma's Final Critique
140
5
Notes
145
22
Bibliography
167
14
Index
181