Tables of Contents for An Acrobat of the Heart
Tuning Your Inner Strings
6
2
The Stream-of-Consciousness Warm-up
11
7
What Is an Actor's Warm-up?
36
3
Les Exercises Corporels
43
32
Digesting the Work---The Hunker
47
3
More Exercises Corporels
60
2
The Forward and Backward Rolls
62
1
Les Exercises Plastiques
75
61
The Container and the Kiss
103
2
Effort, Openness, and Imagery
105
4
Physical Acting and ``Serious'' Acting
109
3
The ``Just Stand'' Exercises
118
7
Two-Person Plastique Rivers
143
4
Connecting the Voice and Body
152
5
Working with Sound in a Group
157
2
Receiving with the Voice
159
3
``Yes-No'' and Gibberish
165
4
``Dropping-In'' Plastiques
173
9
What about Objectives and Intentions?
185
3
Blocking and Stage Movement
188
2
The Dropping-In Crossing
190
1
What about the ``Prior Circumstances''?
195
2
Rehearsing on Your Own
197
3
How to Talk to Another Actor
200
2
Listening All the Time
202
5
Finding the Right Gesture
212
5
Plastiques with Real Objects
217
2
Working with Mistakes
219
1
The Improvisation and the Score
230
2
An Acrobat of the Heart
232
4
Character from the Body
241
3
Baseball (Three-Part Character)
244
4
Character or Caricature
249
3
Characters Who Listen
262
3
Character Scenes Choosing
265
5
Character Word Jam: The Cinderella Exercise
270
2
Rehearsing Character Scenes
278
1
There Is No Stanley Kowalski
282
5
Traduttore, Traditore
287
5
Acting, Sanity, and Survival
298
25
Self-Judgment and Stage Fright
298
5
A Stradivarius in the Rain
306
1
Is Acting a Spiritual Discipline?
307
3
Is Acting a Political Activity? or, What is Selling Out?
310
3
Acting in the Real World
313
4
How to Choose an Acting Teacher
317
6
Afterthoughts from Andre Gregory
323
6
Permissions Acknowledgments
333