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Tables of Contents for The Contemporary Violin
Chapter/Section Title
Page #
Page Count
Preface
xi
Bowing
1
56
Sul Ponticello
3
3
Sul Tasto
6
3
Sub Ponticello
9
5
Other Contact Points
14
3
Overpressure
17
7
Subharmonics and ALFs
24
5
Tremolo
29
2
Arpeggio
31
1
Bariolages
32
1
Battuto
33
2
Col Legno
35
5
Non-synchronous Bowing
40
2
Sustained Bowing
42
2
Beyond the String
44
4
Folk Traditions
48
2
Miscellaneous
50
7
The Fingers
57
40
The Right Hand
57
10
Pizzicato
57
2
Fingered Tremolo
59
2
Double Stops and Chords
61
2
Other Right-Hand Articulations
63
4
The Left Hand
67
30
Pizzicato
67
2
Slurs and Other Touches
69
3
Vibrato
72
2
Microtones
74
4
Trills
78
1
Glissando
79
9
Arpeggio
88
9
Percussion Techniques
97
16
The Hands
98
6
The Right Hand
98
4
The Left Hand
102
2
The Bow
104
4
Other Strikers
108
5
Harmonics
113
28
Harmonic Overtones
113
2
Open Harmonics
115
5
Stopped Harmonics
120
6
The Bow
126
1
Variants
126
15
Pizzicato Harmonics
126
1
Pizzicato Effleure
127
1
Harmonic Glissandi
127
5
Multiphonics
132
2
Fawcetts
134
1
Harmonic Trills
135
3
Microtone Harmonics
138
1
Pulled Harmonics
138
1
Harmonic Multiple Stops
139
2
Tuning Systems
141
28
System versus Expression
142
2
Equal Temperaments Other than Twelve
144
1
Non-equal Temperaments
145
1
Just Intonation
146
6
Just Intonation Representation
147
1
Performance Considerations
148
4
Some Musical Examples
152
17
A Dream
152
3
Harry Partch
In the Throne Room of the Mountain Gods
155
1
Lydia Ayers
Suite for Violin and American Gamelan
156
1
Lou Harrison
String Quartet No. 4
157
1
Ben Johnston
April 1965
158
2
Tony Conrad
Chronos Kristalla
160
2
LaMonte Young
KOAN
162
1
James Tenney
Navigations for Strings
163
2
Alvin Lucier
Fantasy for Solo Violin on the Quarter-Tone System
165
1
Alois Haba
Arboreal Arabesques
166
1
David Feldman
Second Book of Angels
167
2
Allen Strange
...and Variations
169
32
The Hutchins Octet
169
3
Extended Violins
172
5
Modified Bows
177
2
Scordatura
179
6
Mutes
185
4
The Prepared Violin
189
3
Vocables, Coloration, and Masking
192
9
Amplification and Signal Processing
201
22
Amplification
201
1
Levels
202
1
Pickups and Microphones
203
5
Electric Bows
208
2
Signal Processing
210
10
Early Literature Examples
220
3
Glissade
220
1
James Tenney
The Seduction of Sapientia
221
1
David Rosenboom
Here to Stay
221
2
Larry Polansky
MIDI, Strings, and the Computer
223
46
MIDI for the Violinist
223
10
MIDI Interfaces and MIDI Violins
233
8
Max
241
7
Some Musical Examples
248
21
John's Book of Alleged Dances
249
2
John Adams
Here to Stay
251
2
Larry Polansky
Gemini
253
1
Mari Kimura
Other Worlds
254
2
David Jaffe
Concerto in D: The Creation
256
2
Daniel Oppenheim
This Time, This
258
3
Daniel Weymouth
Spadefoot
261
3
Mark Grey
Sleeping Beauty
264
5
Allen Strange
Appendix A. Tuning Math
269
2
Appendix B. MIDI Messages
271
2
List of Figures
273
12
Notes
285
8
Bibliography
293
6
Scores
299
12
Discography
311
8
Internet Resources
319
6
Research, Centers, Institutes
319
1
Publishers and Recording Companies
320
2
Composers, Artists, and Scores
322
1
Manufacturers and Hardware
323
2
Index
325