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Tables of Contents for Complete Guide to Film Scoring
Chapter/Section Title
Page #
Page Count
Acknowledgements
9
1
Introduction
10
3
Part I: The History of Film Music
13
54
Early Films and Music: The Silent Movies
15
10
The First Talkies: The Beginning of Synchronized Music
25
6
The Studio System and The Studio Music Department
31
8
Musicol Styles∼1930 to 1950: The Golden Age of Hollywood
39
8
Musical Styles 1950 to 1975
47
10
1975 to Today
57
10
Part II: Production
67
62
The Film-Making Process
69
12
The Composer's Time Frame
81
8
Spotting
89
6
The Music Editor
95
16
The Music Team: Orchestrotors and Music Preparation
111
10
The Recording Session and Mix
121
8
Part III: The Music
129
74
Creating the Music
131
10
Technical Requirements of the Score
141
12
Syncing the Music to Picture
153
12
Television
165
6
Ethnic and Period Music
171
8
Animation
179
10
Songs, Soundtrocks, and Source Music
189
14
Part IV: The Business of Film Scoring
203
52
Making the Deal: Agents, Attorneys, and Contracts
205
12
Publishing and Copyrights
217
14
Royalties, or Show Me the Money!
231
12
Out in the Real World
243
12
Part V: Interviews
255
109
Elmer Bernstein
256
6
Terence Blanchard
262
6
Alf Clausen
268
5
Cliff Eidelman
273
5
Danny Elfman
278
7
Richard Gibbs
285
6
Elliot Goldenthal
291
6
Michael Gorfaine & Sam Schwartz
297
5
Mark Isham
302
6
Michael Kamen
308
7
Mark Mancina
315
4
David Newman
319
5
David Raksin
324
7
Lolita Ritmanis
331
6
William Ross
337
5
Alan Silvestri
342
6
Mark Snow
348
5
Richard Stone
353
5
Shirley Walker
358
6
End Notes
364
1
Resources
365
3
Index
368
10
About the Author
378