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Tables of Contents for Jonathan Harvey's Bhakti for Chamber Ensemble and Electronics
Chapter/Section Title
Page #
Page Count
List of Figures
vii
Foreword
x
Acknowledgments
xii
Preface
xiii
Background
The composer's electroacoustic output before Bhakti
1
3
IRCAM
4
1
The commission
5
6
The concept
11
2
The literary texts
13
6
The Form
Infrastructure and instrumentation
19
3
The motions
22
6
Tempi
28
2
Rhythm
30
5
Pitch Strategies. Melodic and Harmonic Gestalt
The organisation of pitch
35
1
The prime tone-row and its cells
36
5
The development of cells
41
7
The spaces
48
9
Interaction
57
12
The Organisation of Timbre
Foreword
69
5
The mirror of sound
74
1
Extended instrumentation
75
4
Macro-level: the structural relation between tape and ensemble
79
8
Micro-level: electroacoustic strategies in context
87
6
Overview and Interpretation
Foreword
93
1
The movements
93
33
The symbolism of listening
126
17
Retrospection and Forum
Rationale
143
1
A retrospective with Jonathan Harvey
144
4
Forum
148
21
Appendix
169
2
Glossary
171
2
Bibliography
173
2
Index
175