Introduction

Acknowledgments

Music Publishing in Italy, c. 1580--c. 1625: Some Preliminary Observations

Royal Musical Association Research Chronicle 20. London, 1986--87

On the Compostion and Performance of Caccini's Le nuove musiche (1602)

Early Music 12. Oxford, 1984

Caccini's Amarilli, mia bella: Some Questions (and a Few Answers)

Journal of the Royal Musical Association 113. Oxford, 1988

New Songs for Old? Guarini and the Monody

Guarini: la musica, i musicisti, ed. Angelo Pompilio. Lucca, 1997

`An Air New and Grateful to the Ear': The Concept of Aria in Late Renaissance and Early Baroque Italy

Music Analysis 12. Oxford, 1993

Artusi, Monteverdi, and the Poetics of Modern Music

Musical Humanism and its Legacy: Essays in Honor of Claude V. Palisca, ed. N. K. Baker and B. R. Hanning. Stuyvesant, NY, 1992

`Sfogava con le stelle' Reconsidered: Some Thoughs on the Analysis of Monteverdi's Mantuan Madrigals

Claudio Monteverdi: studi e prospettive; atti del convegno, Mantova, 21--24 ottobre 1993, ed. P. Besutti, T. M. Gialdroni and R. Baroncini. Florence, 1998

Resemblance and Representation: Towards a New Aesthetic in the Music of Monteverdi

`Con che soavita': Studies in Italian Opera, Song and Dance, 1580--1740, ed. Iain Fenlon and Tim Carter. Oxford, 1995

Possente spirto: On Taming the Power of Music

Early Music 21. Oxford, 1993

Intriguing Laments: Sigismondo d'India, Claudio Monteverdi, and Dido alla parmigiana (1628)

Journal of the American Musicological Society 49. Chicago, 1996

`In Love's Harmonious Consort'? Penelope and the Interpretation of Il ritorno d'Ulisse in patria

Cambridge Opera Journal 5. Cambridge, 1993

Re-Reading Poppea: Some Thoughts on Music and Meaning in Monteverdi's Last Opera

Journal of the Royal Musical Association 122. Oxford, 1997

Index