Rivalry is at the heart of some of the most famous and fruitful relationships in history. The Art of Rivalry follows eight celebrated artists, each linked to a counterpart by friendship, admiration, envy, and ambition. All eight are household names today. But to achieve what they did, each needed the influence of a contemporaryâone who was equally ambitious but possessed sharply contrasting strengths and weaknesses.
Edouard Manet and Edgar Degas were close associates whose personal bond frayed after Degas painted a portrait of Manet and his wife. Henri Matisse and Pablo Picasso swapped paintings, ideas, and influences as they jostled for the support of collectors like Leo and Gertrude Stein and vied for the leadership of a new avant-garde.Â Jackson Pollockâs uninhibited style of âaction paintingâ triggered a breakthrough in the work of his older rival, Willem de Kooning. After Pollockâs sudden death in a car crash, de Kooning assumed Pollock's mantle and became romantically involved with his late friendâs mistress.Â Lucian Freud and Francis Bacon met in the early 1950s, when Bacon was being hailed as Britainâs most exciting new painter and Freud was working in relative obscurity. Their intense but asymmetrical friendship came to a head when Freud painted a portrait of Bacon, which was later stolen.
Each of these relationships culminated in an early flashpoint, a rupture in a budding intimacy that was both a betrayal and a trigger for great innovation. Writing with the same exuberant wit and psychological insight that earned him a Pulitzer Prize for art criticism, Sebastian Smee explores here the way that coming into oneâs own as an artistâfinding oneâs voiceâalmost always involves willfully breaking away from some intimateâs expectations of who you are or ought to be.
Praise forÂ The Art of Rivalry
âGripping . . . Mr. Smeeâs skills as a critic are evident throughout. He is persuasive and vivid. . . .Â You leave this book both nourished and hungry for more about the art, its creators and patrons, and the relationships that seed the ground for moments spent at the canvas.ââThe New York Times
âWith novella-like detail and incisiveness [Sebastian Smee] opens up the worlds of four pairs of renowned artists. . . . Each of his portraits is a biographical gem. . . . The Art of Rivalry is a pure, informative delight, written with canny authority.ââThe Boston Globe
âBacon liked to say his portraiture aimed to capture âthe pulsations of a person.â Revealing these rare creators as the invaluable catalysts they also were, Smee conveys exactly that on page after page. . . . His brilliant group biography is one of a kind.ââThe Atlantic
âPerceptive . . . Smee is onto something important. His book may bring us as close as weâll ever get to understanding the connections between these bristly bonds and brilliance.ââThe Christian Science Monitor
âIn this intriguing work of art history and psychology, The Boston Globeâs art critic looks at the competitive friendships of Matisse and Picasso, Manet and Degas, Pollock and de Kooning, and Freud and Bacon. All four relationships illuminate the creative processâboth its imaginative breakthroughs and its frustrating blocks.ââNewsday
About: Pulitzer Prize–winning art critic Sebastian Smee tells the fascinating story of four pairs of artists—Manet and Degas, Picasso and Matisse, Pollock and de Kooning, Freud and Bacon—whose fraught, competitive friendships spurred them to new creative heights.
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